Category Archives: St. Cecilia’s Day

What We’re Listening To

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Here is St. Cecilia’s Day this 22nd of November: Cecilia, patron saint of music, musicians, and poets. She was an early Roman martyr; her day has been associated with concerts and music festivals since time immemorial, and composers and poets have honored her through the ages. And here’s an interesting bit of trivia: the English composer Benjamin Britten was born on St. Cecilia’s Day, 1913.

I am not particularly musical, but I like being around people who are. My grandfather taught himself to play guitar and mandolin; he would sit and play traditional Italian songs. His guitar is right here next to me. My aunt is also musical: she plays piano and organ and accordion. Her talents took her all over the country and the South Pacific during World War II, playing in the USO for the troops. Here at home, Seth has been teaching himself to play piano, too. We have no piano, but whenever we happen to find ourselves near one, he sits down and plays the songs he knows, mostly Yann Tiersen songs. He’s pretty good.

I am one whose mind is easily boggled, and music boggles me: how a mixture of sounds can have the power to transport and transform astounds me. The astonishment comes out of nowhere sometimes, like last night, as I drove home from work. The thought of traveling the 5-lane freeway at rush hour was depressing me, so I hemmed and hawed and finally decided to take the road less traveled. I drove the coastal highway home, with the vast Atlantic on my right. The night was chilly, so I had the windows half open and the heater on, and there was music: it was The Walking by Jane Siberry, in my CD player since the weather turned cooler. It is lush and cinematic and it feels in some way autumnal to me. My musical selections are like that, for the most part: in tune with the seasonal round of the year, sometimes subliminally, like this one. The Walking accompanied me the whole moonless drive home, up A1A through all the surfside towns, and across the lagoon finally, back to the mainland at Lake Avenue. In the booth at the top of the draw bridge over Lake Worth, which is the name of both my town and the lagoon, I could see my friend Clarence the bridge tender in the lamplight. I waved, but he didn’t see me. I knew he wouldn’t; I was just one of many people driving by. But still it felt right and necessary to wave and say hello. A few minutes later, I was in my driveway. Seth was already home; the lights from inside the house glowed warm and welcoming. The night felt about as perfect as it could be.

What we’re listening to now: some suggestions for the season.

George Winston: Autumn. My friend Kelly Sullivan (she makes the soaps we sell) and I saw George Winston perform at our university back in the 1990s. He played piano barefoot. We were only a couple of rows away from him. I listen still to his seasonal albums––there is December, and Winter into Spring, and Summer, and Autumn––and I wonder how he does that: how he manages to capture the essence of a season in sound. Autumn is, I think, my favorite of his seasonal recordings. Favorite track: “Road.”

Jane Siberry: The Walking. Autumnal, somehow. Cinematic, as I mentioned: the songs on this record are rich and deep, some 9 or 10 minutes long, moving pictures made of sound and imagery. We all have our desert island record, and this is mine. It has informed so much of my creative work. It is a sound track that plays in my head as I walk along my way.

Jane Siberry: Angels Bend Closer. Jane has spent years working on her latest recording, which came about at first with the help of a Kickstarter campaign. The result was a record called Ulysses’ Purse, which she sent to all of us supporters last January. It’s now out as her latest record, with all of the songs re-recorded and slightly different and many new songs added. Ulysses’ Purse is in my rotation now, simply because it is what I have, but Angels Bend Closer was released just a few days ago. “Morag” may very well be the most important song I’ve ever heard. You should listen; you can actually listen to Morag and all the other songs on this album at the link above. Right down where it says “Listen.” Sometimes the best gifts are right there in front of us. You’ll be the sound of the ocean before we see it.

Happy St. Cecilia’s Day.

 

Image: A recent Jane Siberry photo. I think it’s so striking.

 

Thank You for the Music

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Here on the approach to Thanksgiving comes St. Cecilia’s Day. Cecilia was a second century Roman martyr who, on her wedding day, sang in her heart to the Lord while the musicians played, and for this reason she is known as a patron saint of music, musicians, and poets.

There are no particular traditions that have been passed down through the ages for St. Cecilia’s Day, though it has became associated with concerts and festivals celebrating music. The first record of a concert in her honor on her feast day goes back to 1570 in Normandy.  Music for St. Cecilia has been composed by the likes of Henry Purcell, George Frideric Handel, and the English composer Benjamin Britten, who was born on St. Cecilia’s Day, 1913.

What finer day to celebrate the gift of music than on St. Cecilia’s Day? Music is one of the most complex and amazing of human cultural accomplishments. A simple collection of sounds, and yet such power to move us. Here, for St. Cecilia’s Day, is a musical gift for you: “Adagio for Strings,” the second movement of Samuel Barber’s String Quartet, Opus 11, performed by the Cypress Quartet. Happy St. Cecilia’s Day.

Image: “Le Concert” by Gerard van Honthorst. Oil on canvas, c. 1623 [Public domain] via Wikimedia Commons.

 

Glass: Closing

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Today is the feast day of St. Cecilia, patron saint of music. Music is such a perplexing thing: collections of noises, essentially, artfully arranged, and these arrangements can have such great emotional power over us. Think of the times you’ve been carried away by a piece of music: Two weeks back on Performance Today, the final movement of “Glassworks” by Philip Glass, “Closing,” performed on six pianos, had me captivated. I was in the truck, headed to Downtown Lake Worth, and even after reaching my destination and parking, I felt powerless to leave the truck until the music ended. Or think of a quiet hymn in a church, or for the Shakers, gifts of music delivered, they felt, to them from the spirit world. The Shakers who received them called them Gift Songs, believing they hadn’t composed the songs by any power of their own. They simply were the vehicles through which the gifts were delivered to the physical world. Such an astounding thing.

I’ve been captivated lately by a 45 second video clip that was released by Jane Siberry. If you know me and Convivio Bookworks well, you know Jane is a big influence. There’s that power of music, of course, and her work informs much of what we do here in terms of the way we see things. Her world view influences also our approach to creativity and even to our business. It’s rare that we get to see a song in the process of being created, but that’s what this video documents. It is, as I mentioned on our Facebook page when I posted it there, about nothing and about everything. I can’t get enough of it.

I find this insight into the creative process fascinating. Music will always be a thing of mystery and wonder to me. St. Cecilia is there to remind us of that, too.

Image: A head study for the fresco “Saint Cecilia Playing the Organ” at the Abbey of Grottaferrata, by Domenichino. Chalk on paper, c. 1608–1610. [Public domain] via Wikimedia Commons.